Compton’s own The Game, a.k.a. Jayceon Terrell Taylor, is the best-selling West Coast solo rapper since So Cal legends Dr. Dre and Snoop Dogg. Credited with rejuvenating California’s gangsta rap scene, The Game is as well known for giving fresh life to the tradition of hip-hop feuds, since he’s at one time or another been publicly on the outs with everyone from 50 Cent to Joe Budden.
Although some of those people he’s angry with have accused Taylor of being less gangsta than he appears to be, the public record on Taylor’s early years seems to speak for itself. When he was five, his older sister accused his father of sexual abuse, and Taylor ended up in a foster home in Carson, a nearby suburb. When he was 13, his mother, who, like his father, had reputed ties with the Crips, got custody back and moved him to Santana Blocc, a neighborhood that was dominated by the Crips. Ever the one to go his own way, Taylor broke family ranks when it came time for him to join a gang, becoming a member of rival gang, the Bloods.
A gifted basketball player, Taylor beat the odds and made it through high school, even winning a basketball scholarship to Washington State University. That lasted less than a semester, however, and he was expelled from school for drug-related problems. Returning to Compton, he became a drug dealer, and part of his half-brother, Big Fase 100’s, crew. It was only in 2001, after being shot five times and spending three days in a coma (accounts differ as to whether the shooting was part of either a drug deal or a home invasion robbery gone bad, that Taylor thought it was time to change jobs.
Since he had already blown his shot at athletics and his career as a drug dealer wasn’t going exactly as planned, he decided to move on to the next career path open to a Compton male and become a rapper. Taylor’s no dummy, so, after studying some of the area’s local classics, he chose his moniker, The Game, after a nickname his grandmother coined for him after observing he was “game” for anything. He brought Big Fase into the picture, as cofounder of their very own Black Wall Street Records.
In another rap tradition, The Game produced a mixtape, You Know What It Is Vol. 1 in 2002, which got him signed both to the independent label, Get Low Recordz and, more importantly, Dr. Dre, who signed him to Aftermath Entertainment. The Dre association alone led to his first record, Untold Story, to sell 82,000 copies in the first three months of its release in late 2004.
But the real fireworks began when Dre and Jimmy Iovine, Interscope Records CEO, decided to create a buzz around not just Game but 50-Cent and G-Unit (a N.Y. record label/posse fronted by 50 Cent) by having them work together. There were problems from the get-go, with The Game almost immediately fighting with G-Unit guys Joe Budden, Ja Rule and Memphis Bleek.
By the end of 2004, The Game had his first single, “Westside Story,” and soon thereafter, his first album. Originally titled Nigga Wit' An Attitude Volume 1, an injunction by Easy-E’s widow forced a name change to The Documentary. On the strength of all the pre-release activity and feuds, as well as two terrific singles, “How We Do” and “Hate It or Love It,” the album went to number one on the Billboard pop charts its first week, and went on to becoming one of 2005’s top 10 best-selling records.
Although many suggested The Game’s feuds were more hype than real, his problems with 50 Cent were real enough to force him to leave Aftermath Entertainment and to prevent Dre from working with The Game on the second album, Doctor’s Advocate. That didn’t seem to matter as the album, which was released just before Thanksgiving, 2006, went straight to number one, selling almost 400,000 copies in its first week.
Now wealthy, The Game apparently plans to leave music after his as yet unrecorded third album, so that he can concentrate on his acting, his two children and other business interests. With his track record, it’s not a long shot that before long, someone will be making a documentary about The Game, who became the Los Angeles hip-hop King because of his own Documentary.
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Negro Exclusion Bill AB 395 [1WO!n..858] Rep(or)t Fed(eral) Rel(ations) Re:P(o)R-|-T F'e'D(e_R)al) Re/_A(t-|-i)o`n.. s$) (R)..e[pO] rt_______________ _f(ED(R) .aL__Re:/A[T]I]-| -o __ __ April 21 [1858] on nA WH! (I) DhiDeDN SI` ittD-_ [] BuhTD! . (I D. LIKboy had i liekgeD
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Rep(or)t Fed(eral) Rel(ations) April 21 [1858] on “Nigger Bill” * Mr. President The Committee on Federal Relations to whom was referred Assembly Bill No 395. Entitled “An Act to restrict and prevent the immigrations to and residence in this State of Negroes and Mulattoes” have had the same under Considerations and beg leave to report. That in the opinions of your Committee a law of this Character has become a necessity in California. The position of the free negro in this state is a peculiar one, he is not the equal of the white man, socially or politically, he can not testify in our courts, or exercise the right of suffrage, hence in our judgement it is not good policy, on our part, to encourage the immigrations, of any class of persons incapable of appreciating and enjoying, to the fullest extent our institutions. The negro is by nature indolent and in a state of freedom becomes a ready prey to vice, particularly in our large cities. 1 We deem it unnecessary to refer to the conditions of the free Negro, in portions of our union(?), as a proof of the evil of harboring them here in our midst. The presence of the free negro here is a constant source of disquiet, for we are sorry to say, that there is not wanting, a clan of white men, in our state: whom a false philantrophy leads to fasten the ignorant hide of the free negro, so that he becomes insolent and defiant and if in sufficient numbers would become dangerous, as evidenced by recent occurrences in one of our cities That there are here in California many worthy and industrious free negroes, your Committee do not deny, in fact we know many who for industry sobriety and good conduct, would be a good example to many of our white citizens, but these are exceptionable instances 2 The Bill does not interfere with those free negroes, already here, but simply requires them to procure a certificate of Registry, from the County Recorder in the County of their residence, to show that they were residents of this state prior to the 1st day of October 1858. This portion of the Bill is necessary to render it Effectual. Believing therefore that the further immigration of free negroes and Mulattoes into this state, is not desirable, we beg leave to report the Bill back to the Senate and recommend its passage without amendment. All of which is respectfully submitted Senate Chairman of Committee on Federal Relations Isaac Allen C. E. Thom 3 “Negro Exclusion Bill,” 1858 LP:1223 California State Archives Sacramento, California NOTE: Pages 1, 2 and 3 of the original documents should be printed on legal size paper (8.5" x 14") the dimensions are 798 x 1244 pixels, 28.15 x 48.89 cm, or 11.083" x 17.278".
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Friday, September 19, 2008 Good morning. Ideas are worthless, intentions have no power, plans are nothing..... unless they are followed up with action...
God is Love Rev Run
Read more at Run's Words of Wisdom at revrun.uber.com/w ordsofwisdom.
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myspace.com/god2g (or) www.godsmo.urber. com
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