The subject matter for the Dome and Tent paintings is a dysfunctional architectural form.
In contrast to my fabric and armature paintings of the last twelve years they argue the importance of failure.
This recent transmutation into paint still references contributions by modernist painters such as Stella, even in their titles.
Chrome paintings are DeLorean, futuristic, shiny, protected against decay and corrosion. Their Fuller geodesic tent subject matter is now an ancient constellation. Once groundless is now celestial as we look on through the portholes of our vessel.
